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LOVE OF MY HEART...

Heavenly...

Magic .

Very Jewish

I was never really fascinated by the horn (or the sound of it), but the beautiful and sentimental first movement and horn playing totally captured my attention and interest for the instrument. From this music, I come to appreciate the beautiful sounds the horn can produce. Now I am addicted to the first movement. Bravo!

wonderful performance, filled with controlled ''burning fire''.

three making a beautiful Triangle

Please have mercy and leave Brahms out of this.

Zora Slokar - great horn player! A horn really Isn't my favourite instrument, but she's very subtle, and this instrument sound in her mouth very noble.

that page turner lurking in the shadows like she's about to slit the pianist's throat + this music = basically a horror movie

But where is the fourth movement?

Ditto to the comments below. I'm glad I stumbled upon this gorgeous performance. With such disparate instruments as horn and violin, achieving balance can be quite a challenge. The balance here is perfect.

00:00 07:07 12:10

Beautiful!

She makes that horn sing. Wonderful!

THis work is a turnpoint in the work of LIgeti. it is hauntigly beautiful.

I agree with Waggish Sagacity's comment -- this performance is an absolute treasure. Before this trio was written, there was no reason to think that horn, violin and piano would even work together (unless as a curiosity or joke), but Brahms had a Mozart-like flash of insight into some very specific ways that those three sonorities could be synthesized into a brand-new sound -- and that insight is brought out wonderfully in every moment of this performance. Thank you for uploading!

It would be interesting to know the process the composer used to composing the music.

nice horn playing - beautiful tone and agility

The Horn Trio is probably the finest piece of music ever written for the horn, in terms of the quality of the writing. Brahms innately understood what makes the horn the horn. He knew what it took to bring out the instrument’s most satisfying lyrical side, in a way that other composers before and after didn’t really get. The slow movement is remarkable: it’s very contained, very calm, almost icy calm, until this extraordinary outburst in the last couple of lines of the movement where this huge anguish comes out, and then it goes away again. It’s extraordinary. David Pyatt, horn player

I can't understand how something so perfect and beautiful can come out of one man...

This piece should have been a tribute to Legeti's countryman Bela Bartok instead of Brahms. Some of the piano chords sound like they belong to Bartok's "Music for Strings, Percussion & Celeste". The Bartok influence is striking.

tre musicisti fantastici <3

One of the world's greatest masterpieces played masterfully, darkly, evocatively, correctly (I believe), and beautifully. What else does one need?

Ligeti strikes at the heart and has us there.

Bravissimi !!! e poi Tamas e' super come sempre !!!!!!!!

Best and truest to score!

a bit abrupt at the end!

thank you. this is fantastic.

i'm so gay for the hornist

would make nice background music in a funeral

Tallen

What a beautiful horn tone!

would make nice background music in a fancy restaurant

My childhood memories are of a dark, mysterious, and muted horn trio. Here we have--for the first time in many decades--a performance that is excellent in every possible way AND that replicates the sounds I recall. When I researched the entry about this magnificent and truly somber piece, I found that Brahms--following his mother's death composed the trio for a natural horn--rather than the now [1865] almost ubiquitous valved horn. Evidently, Brahms wanted to avoid the newly found brightness of the valved horn, and at the same time, reminded himself and us of the passing of his mother and of death in general. Zora Slokar and her two companions gorgeously capture Brahms' intent and spirit, I believe, so thank you for uploading the video and thank you players for this outstanding, dark performance (note also how dark the stage they are playing on is).

My childhood memories are of a dark, mysterious, and muted horn trio. Here we have--for the first time in many decades--a performance that is excellent in every possible way AND that replicates the sounds I recall. When I researched the entry about this magnificent and truly somber piece, I found that Brahms--following his mother's death composed the trio for a natural horn--rather than the now [1865] almost ubiquitous valved horn. Evidently, Brahms wanted to avoid the newly found brightness of the valved horn, and at the same time, reminded himself and us of the passing of his mother and of death in general. Zora Slokar and her two companions gorgeously capture Brahms' intent and spirit, I believe, so thank you for uploading the video and thank you players for this outstanding, dark performance (note also how dark the stage they are playing on is).

First rate musicianship and a great score by the incomparable Gyorgy Ligeti.

Just out of this world. Like this should always sound the music of Brahms!!

Everything is genial: the music, the interpretation and the recording.

A key work in XXth or XXIth century music.. Back to home which will never be home again.

Such beautiful music,it dropped my stress level down to 0.Or maybe it's because of the weed I smoked.

it gets cuuuuttt!!! such a huge cockbock!!

what's all this talk about "out of tune"? Equal temperament is out of tune.

Dracula is alive!!! Zora Slokar plays superb. Beautiful sound.

Great performance from ALL. Thank you!!

Beautiful ! Thanks

Dracula!!! Hauntingly beautiful. I dont know how to describe it. It is neither minimalist, nor baroque. Probably just incredibly disruptive. It makes everything else look so easy, cliched, and ordinary.

This is so Bad, it makes deaf children cry. This guy is No musician to me

this is intense!

This is a fantastic performance.